oleh admin | Agu 25, 2025 | indian national news, music, music and lyrics, musicians, news
Kathmandu, Aug. 19 — Veteran poet and musician Prem Binod Nandan has passed away at the age of 90. He breathed his last on Sunday night while undergoing treatment at Chitwan Medical College Teaching Hospital.
For many years, Nandan struggled with breathing problems. He joined the world of literature in 1954 through his poetry book ‘Jhataro,’ followed by numerous publications such as ‘Anjali’ (1966), ‘Sapnibata Byunjhera’ (1966), ‘Bipanika Pailaharu’ (1955), ‘Ainabhitrako Aakash’ (2006), ‘Siddharthako Grahatyag’ (2017), and ‘Patram Pushpam’ (2020).
A piece of his work was also chosen as one of the leading ten submissions in the nationwide anthem competition.
He previously held the position of chairman and consultant at Narayani Kala Mandir. Throughout his career, he has received numerous accolades, such as the Chhinnalata Geet Puraskar (1997), Chisap Prativa Puraskar (1995), Chisap Krishna Kumari Gurung Puraskar (2007), Narayani Pragya Puraskar (2021), and Rastriya Srasta Samman (2020).
oleh admin | Mar 26, 2025 | music, music albums, music and lyrics, music industry, musicians
The South Korean vocalist and songwriter Peach Luffe, whose real name is Jong Lee, launched his eight-track extended play titled “Back to Me.” This collection includes singles he has been releasing since August 2024. Based in Toronto, this artist merges ethereal pop sounds with classical elements, producing emotionally resonant music pieces.
Starting from 2019, he has been diligently engaged in writing and producing his own creations such as “Fallen,” “Sunflower,” “Fairytale,” “Venus,” and “Evergreen.”
His most recent extended play explores introspection, merging retro-inspired indie pop with classical components. Peach Luffe interpreted it as a way to reconnect, stating, “My aim is simply to go back to who I originally was; I’m not sure if this sense of ‘being diminished’ will be fleeting or lasting. This frightens me. All I wish for is to find my way back to myself.”
The extended play kicks off with “Just a Thread,” featuring intricate instrumentals that reflect the battle of yearning for one’s former self. Next comes “Better Off,” characterized by its lively tempo, as it searches for comfort amidst doubt. The third track, “What’s on Your Mind,” uses heartfelt verses to stir up memories, underlining honesty and direct conversation.
The reflective atmosphere carries over into “Before I Met You,” a calm tune pondering former selves. Similarly serene, with gentle tunes and deeply crafted verses, “When You Hold Me” delves into fragility and hard-to-articulate queries shared between partners.
“Your Everything” continues the motif by exploring the intricacies and commitments within love. The EP concludes with stripped-down versions of “Just a Thread” and “Better Off,” which emphasize rawer vocal performances and a stronger emotional bond through simpler arrangements.
Of all these tracks, Peach Luffe considers “Just a Thread” to be the core of the EP.
“He expressed his desire to rediscover himself,” highlighting how the song’s essence becomes more profound as he grows older.
He likewise discovered that “Better Off” and “Just a Thread” were the toughest to finish, noting, “These songs really tested my abilities as a vocalist—I had to belt out the lyrics!”
Prior to venturing into singing and songwriting, Peach Luffe performed with the oboe and also studied the violin during her time at school.
He remembered, ‘When I got to university, I started as a violin major but soon realized I didn’t want to continue with that. So, I took up singing instead!’
Armed with a Bachelor’s degree in classical music, he considers this his primary inspiration. Despite residing in Toronto, where he was heavily influenced by the city’s “ominous R&B” vibe, he integrated these elements into his work. Additionally, being Korean, he has a deep connection to ballads, which add a lyrical quality to his compositions.
His approach to creation stays flexible. He mentioned, “I prefer being receptive when inspiration strikes.” Usually, he spends time watching YouTube videos and tries out different tunes on his guitar until an idea takes shape—a technique that aligns well with his ADHD, since sustaining concentration can be challenging at times. Impressively, this artist has a strong bond with every aspect of his work, ranging from composing lyrics to handling the production stages.
With his melodies, he wishes for people to rediscover their beloved moments from childhood. “It would be great to pen down my feelings of solitude during my upbringing. I never quite belonged to any crowd.”
Excited to broaden his experiences, he dreams of performing throughout Asia and working alongside South Korean artists DEAN and Wave to Earth. Additionally, he is eager to delve into alternative R&B genres outside his usual dreamy indie-pop style.
In the future, his aspiration is clear: “I aim to create an album. Maybe even my masterpiece! It feels right.”
oleh admin | Mar 24, 2025 | celebrity and music, entertainment, food and drink, music, musicians
For those expecting dancing bears, tie-dye, and Cherry Garcia ice cream at Garcia’s Jazz Club, they might end up disappointed.
The recently opened eatery, drinking spot, and musical hub in the West Loop area
does not have those characteristics typically linked to the lead singer of the Grateful Dead.
If you push it too much, it turns into something more like a routine, almost turning into mockery,” explains Jeffrey Tascarella from the food and beverage consulting firm Lowder-Tascarella Hospitality. “Our aim was to develop a spot where, if Jerry were still with us, he’d surely enjoy being here.
Tascarella’s company, along with Chef Ivy Carthen and assisted by Garcia’s daughters—Trixie and Annabelle—developed the menu for Garcia’s, which launched last week. Steering clear of typical tropes associated with themed eateries was crucial for both the culinary staff and the design team responsible for converting the previous Wishbone location into what now stands as a project led by Chicago-based architect Bob Quellos of
FC Studio
is described as a “compact city jazz spot.” Since there is a parking structure above the area, there are no pillars to hinder the view for approximately 300 guests watching the performance on stage.
Designer
Tristam Steinberg
clear visuals can strengthen the emotional bond between music enthusiasts and the band, potentially inspiring fans to stand up from their seats and groove as though they were at an open-air concert. Stepping into Garcia’s might also offer insights since part of the design concept aimed to evoke times past when visitors didn’t rely heavily on smartphones and instead danced freely throughout the venue.
I believe that if you visit any jazz club—whether in New York, Chicago, or Los Angeles—you typically have an experience akin to being squished like a sardine in a tin can,” explains Steinberg. “People sit at tiny tables which aren’t very comfortable but help maximize attendance during performances. Bob created a layout that will genuinely encourage audience engagement.
Quellos, who also designed
Gaijin
, Paul Virant’s eatery in the West Loop specializing in Japanese cuisine highlights the influence
Japanese listening bars
They have featured various elements related to music venues, focusing on how these small spaces emphasize audio quality and cater to the demands of music enthusiasts. Additionally, the creators honored Garcia’s appreciation for visual arts by reaching out to individuals within the psychedelic art scene. An illustration on the rear wall, created by Violet Oliphant and Ellie Terrell, serves as an instance of this dedication.
The location is a joint effort between Garcia’s estate and Peter Shapiro’s Dayglo Presents. Shapiro, known for his work as a music promoter and proprietor of the Brooklyn Bowl franchise, played an active role throughout. To prevent overcrowding issues, he proposed reducing table sizes by roughly two inches to create more walking area, according to Quellos.
The cuisine won’t overshadow the music as the main attraction, yet these components should complement each other seamlessly. Mixologists must create beverages swiftly to cater promptly to visitors, with Quellos ensuring an area where waitstaff can navigate effortlessly. They offer various big-batch concoctions too. In general, the libations will maintain moderate alcohol content—considering the anticipated audience inspired by the Grateful Dead ethos, such potent refreshments may prove unnecessary. Instead, emphasis lies on low-alcohol-content choices and non-spirit alternatives. Additionally, there’s a nostalgic 1950s-style soda fountain ambiance due to Garcia’s fondness for milkshakes. A particular blend combines strawberry and vanilla notes—a nod to Garcia’s appreciation of both tastes—and his reputed reply when challenged to select just one: “Being a rockstar means never having to make that choice,” shares Tascarella, recounting what he said.
A different milkshake will include Yoo-Hoo, the chocolate beverage that Garcia enjoyed—Tascarella mentions that extensive forensic investigation ensured the menu aligned with Garcia’s preferences, his Spanish background, and his connection to the Bay Area. They also plan to have conservas.
Fishwife Tinned Seafood
The presentation will feature the Spanish aspect. On offer is a San Francisco-inspired hot dog enveloped in bacon and garnished with onions, peppers, and Sriracha aioli. Tascarella emphasizes that this hot dog aims to complement Chicago’s renowned sausage culture without aiming to compete directly with what might be considered the top hot dog destination globally.
A double-patty smash burger draws inspiration from one of Garcia’s preferred dishes, which was originally found at an old diner in San Francisco. Additionally, there’s a serving of fried chicken big enough for two people, along with a distinctive roast beef sandwich that brings to mind a French dip and is presented similarly.
San Francisco Dutch crunch bread
.
Quellos mentions that the audio and visual setup prioritizes those passionate about music above all else. The aim is for guests to experience feeling immersed in the performance. This implies that lighting will not be overly intense just to enable patrons to share pictures of dishes on social platforms.
If Instagram Moments were involved, this area might have ended up featuring the Grateful Dead bear or something very reminiscent of Jerry Garcia,” Quellos explains. “I don’t believe you’d achieve the same level of quality in the space ultimately.
Garcia’s Chicago
, 1001 West Washington Boulevard
oleh admin | Mar 24, 2025 | music, musicians, news, performing arts, romania
The renowned French pianist Richard Clayderman is scheduled to play in Romania this week. Among the top-tier musicians globally, he will take the stage on March 25 at Sala Palatului in Bucharest and on March 29 at BT Arena in Cluj-Napoca.
The celebrated French pianist known as “The Prince of Romance” promises an enchanting night full of affection and delicacy, as stated by the event organizers. Titled “Eternal Love,” this spectacular performance honors women and genuine sentiments. Each concert is set for 7:30 PM.
To date, Clayderman has sold more than 90 million albums and received an impressive 267 gold discs along with 70 platinum discs. This achievement makes him the best-selling pianist ever, a fact acknowledged by Guinness World Records.
To enhance the emotional depth and grandeur of the performance, Richard Clayderman will join forces with the “George Enescu” Philharmonic Orchestra from Botoșani, providing spectators with an exceptionally refined auditory delight.
“He is a musician whose artistry has spanned generations through his distinctive compositions. Both the performances in Bucharest and Cluj-Napocea promise to be extraordinary events, particularly due to their partnership with the ‘George Enescu’ Philharmonic Orchestra based in Botoșani. This collaboration promises to add profound richness and grace to each melodic element of the show. Attendees can expect an unparalleled experience—a genuine homage to affection and delicacy,” stated Radu Groza, the festival’s coordinator.
Tickets for the ” Forever Love” concerts can be found on Entertix.ro.
radu@romania-insider.com
(Photo source: press release)
oleh admin | Mar 23, 2025 | art, celebrities, music, musicians, news
Lifehack My ID
,
Jakarta
– Musisi dan penyanyi,
Ariel NOAH
ikut angkat bicara perihal polemik hak cipta yang tengah ramai diperbincangkan. Melalui video berdurasi 7 menit 4 detik yang diunggah ke Instagram pribadinya pada Ahad, 23 Maret 2025, ia menjelaskan duduk perkara yang membuatnya, bersama 28 musisi lain, menggugat Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta ke Mahkamah Konstitusi (MK).
Ariel dari NOAH Bicarakan Dua Aturan yang Kontradiktif
Dalam video tersebut, Ariel memaparkan masalah utama yang menjadi pemantik dalam polemik hak cipta, yaitu pertentangan antara Pasal 9 ayat (3) dan Pasal 23 ayat (5) dalam
UU Hak Cipta
Pasal pertama menggarisbawahi bahwa menggunakan karya secara komersial tanpa persetujuan dari pembuatnya merupakan pelanggaran. Di sisi lain, pasal kedua mengizinkan pemanfaatan karya untuk tujuan komersial tanpa perlu mendapatkan persetujuan terlebih dahulu selagi bersedia membayarkan royalti lewat Lembaga Manajemen Kolektif (LMK).
“Ambang batas tersebut tampaknya bertolak belakang,” kata Ariel. Meski demikian, dia menjelaskan bahwa para musisi telah menyadari bahwa kedua hal tersebut pada dasarnya saling mendukung agar hak keekonomian penulis lagu dan artis dapat diteruskan tanpa hambatan. Penyanyi ‘Separuh Aku’ itu pun mengamati bahwa sampai saat ini, penyanyi yang memainkan lagu-lagu karangan orang lain di konser cuma perlu membayarkan royalti kepada LMK.
Namun, muncul wacana
direct licensing
,
yaitu persetujuan langsung dari pembuatnya tanpa melalui LMK. Ariel menganggap bahwa ide tersebut muncul karena kekecewaan para penulis lagu atas performa LMK. “Menurut saya, hal ini berawal dari tidak puasnya para penyusun lirik lagu terhadap operasi LMK.” Ariel menyimpulkan.
direct licensing
Ini terjadi karena ketidakpuasan para penggarap lagu terhadap LMK yang bertanggung jawab untuk memperjuangkan hak ekonomi mereka,” katanya.
Menurut dia, laporan yang tidak jernih, prosedur yang sederhana, dan kebingungan dalam sistim menyebabkan penulis lagu berkeinginan untuk merebut kembali kontrol terhadap hak cipta mereka. Dia menambahkan bahwa hal tersebut bukan hanya dihadapi oleh penulis lagu tetapi juga pihak-pihak lain seperti produsen acara konser,” ungkap Ariel.
Perdebatan tentang
Direct Licensing
Ariel tak menampik bahwa
direct licensing
Adalah hak pemilik asli dari sebuah lagu. Akan tetapi, orang tersebut juga mengindikasikan adanya berbagai ketidaksesuaian dalam sistem ini. “Namun demikian, hal itu bukanlah sesuatu yang sering diterapkan oleh sebagian besar aktor di industri musik Indonesia,” ungkapnya. Sampai saat ini, detail operasional masih kabur: betapa efektifnya metode ini secara nyata, cara pembagiannya atas laba dan rugi, serta proses implementasi pajak royalty yang telah lama ditangani oleh lembaga manajemen lisensi.
Masalah lain timbul untuk para penyanyi asli—yang pertama kali membawa sebuah lagu ke panggung hiburan. Dalam pandangan Ariel, bila persetujuan hanya diajukan ketika lagu tersebut sudah terkenal, pembicaraan tentang tarif bisa tidak merata. “Lebih bagus lagi kalau.permohonan seizin dilakukan sejak awal,” katanya.
direct licensing
“Sudah ditentukan sejak awal kolaborasi antara penyanyi dan penulis lirik, tidak tiba-tiba muncul ketika lagu tersebut sudah terkenal,” katanya.
Dalam sistem yang sedang diterapkan, penyelenggara konser membayarkan royalti kepada para pencipta lagu melalui Lembaga Manajemen Kolektif (LMK). Akan tetapi, kompleksitas masalah bertambah setelah muncul usulan supaya penyanyi secara langsung membayar royalti kepada pencipta lagu dan bukannya pada pihak penyelenggara acara tersebut. “Hal ini sebetulnya telah ditentukan oleh UU Hak Cipta meskipun masih ada perdebatan tentang siapa yang harus menyelesaikan pembayaran,” ungkap Ariel.
Harapan dari Ariel: Negara Wajib Hadir
Ariel dari NOAH mengatakan bahwa para musisi tidak memiliki wewenang untuk menentukan aturan. Oleh karena itu, dia berharap pemerintah dapat segera menyediakan petunjuk jernih tentang hal ini, termasuk melalui partisipasi orang-orang di bidang hiburan. “Saya kira, mereka yang menciptakan regulasi adalah satu-satunya yang boleh menjelaskan apa cara kerjanya,” ungkap artis kelahiran tahun 1981 tersebut.
UUD yang ada akan segera mendapatkan revisi. Meski demikian, Ariel menganjurkan agar selama periode peralihan tersebut, pemerintah harus turun tangan untuk memberikan pengawalan sementara. “Harapannya jangan sampai membuat pemain di industri musik Tanah Air merasa kebingungan, khawatir, apalagi dirugikan hanya karena ingin membawakan lagu karya orang lain,” katanya.
Selanjutnya, Ariel pun mengakui bahwa dirinya belum merasa siap untuk menerapkannya.
direct licensing
Secara personal, “Masih diperlukan LMK bagi saya untuk memperoleh atau menjaga hak-hak saya, pastinya LMK yang terpercaya dan dapat diandalkan,” imbuhnya. Menurut Ariel, hak cipta tidak hanya berkaitan dengan aspek finansial, tetapi juga tentang kemudahan akses.
Di tengah kontroversi tersebut, dia berharap karyanya tetap dapat dinyanyikan banyak orang. “Saya sebagai penulis lagu ingin membuatnya mudah bagi orang lain untuk membawakannya. Ini sejalan dengan tujuan utama saya dalam menulis lagu, yakni untuk hiburan setiap individu yang merasakan kegembiraan melaluinya,” jelasnya.
Musisi-musisi Membawa Kasus ke Mahkamah Konstitusi
Ariel dari NOAH tidak sendirian dalam menyuarakan keprihatinannya ini. Dia merupakan salah satu di antara 29 artis yang mendobrak Undang-Undang HAKI di Mahkamah Konstitusi. Pengajuan judicial review tersebut diajukan tanggal 7 Maret 2025 dengan kode 33/PUU/PAN.MK/AP3/03/2025. Para seniman itu mencolokkan ketidaktentuan hukum seputar lisensi lagu, sistem royalti, serta sanksi pidana terhadap penyanyi yang mempersembahkan lagu-lagu hasil ciptaan pihak lain.
Daftar musisi yang turut mengajukan gugatan di antaranya adalah Armand Maulana, Vina Panduwinata, Titi DJ, Rossa, Raisa, Judika, sampai dengan Ruth Sahanaya. Sebagian besar musisi ini merupakan anggota Asosiasi Vibarsi Suara Indonesia (VISI). Mereka merasa beberapa pasal dalam Undang-Undang Hak Cipta menciptakan keraguan tentang proses pengambilan lisensi, sistem royalti, dan sanksi pidana. Musisi-musisi tersebut meminta penjelasan lebih lanjut tentang cara mendapatkan izin: apakah mereka harus berurusan secara langsung dengan pembuat lagu atau cukup melalui Layanan Managemen Kekayaan Intelektual (LMK). Selain itu, mereka juga khawatir akan adanya bentrokan kepentingan saat memberikan izin, hal ini dapat dipengaruhi oleh subyektifitas sang kreator.
INSTAGRAM | MAHKAMAH KONSTITUSI
oleh admin | Mar 23, 2025 | celebrities, music, music and lyrics, musicians, news
JAKARTA, Lifehack My ID
— Musisi Ahmad Dhani dan Nazril Irham yang lebih dikenal sebagai Ariel dari NOAH memiliki pandangan berbeda tentang cara pembayaran royalti musik.
Ariel sejauh ini telah mematuhi peraturan dalam Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta, yakni dengan menggunakan Lembaga Manajemen Kolektif (LMK).
Sementara Dhani mengusulkan mekanisme
direct license
, yakni penyanyi membayarkan segera kepada pencipta dengan jumlah yang telah disetujui.
Ariel: Tidak apa-apa tanpa izin selama membayar royalti
Ariel dari NOAH tidak keberatan jika lagu-lagunya dinyanyikan di atas panggung tanpa pemberitahuan langsung selama sudah membayarkan royalti kepada Lembaga Manajemen Kolektif (LMK) yang sesuai.
Rekomendasi terbarunya adalah langsung kepada sang pencipta.
direct licensing
Namun, menurut pendapat saya sendiri cukup merepotkan, lebih baik melalui LMK,” ungkap Ariel saat berada di Jakarta pada hari Selasa, tanggal 18 Maret 2025.
Pernyataan Ariel mematuhi Pasal 23 UU Hak Cipta. Pasal tersebut membahas tentang Hak Ekonomi Penyaji Persembahan di mana seorang penyanyi merupakan bagian daripadanya.
Pada butir 5 Bab 23 tersebut tertulis: ”
Setiap orang diberi kebebasan untuk menggunakan karya tersebut secara komersial dalam sebuah pertunjukkan tanpa perlu mengonsultasikan hal itu terlebih dahulu pada penciptanya, asalkan mereka telah memberikan penghargaan finansial yang sesuai kepada pencipta lewat institusi manajemen kolektif.
.”
Ariel yang menjadi bagian dari Vibrasi Suara Indonesia (VISI) ini mengakui masih ada banyak hal yang harus diperbaiki terkait sistem pembayaran lewat LMK.
“Ariel menyatakan bahwa sistem operasional LMK juga memerlukan peningkatan karena adanya ketidakpuasan yang seharusnya ditangani dengan cepat,” ungkapnya saat konferensi pers VISI, pada hari Kamis tanggal 20 Maret 2025.
Pembayaran melalui LMK di masa lalu dianggap terlalu rendah dan kurang adil bagi pencipta lagu.
Dhani: Penyanyi perlu mendapatkan persetujuan melalui lisensi langsung.
Berbeda dengan Ariel, menurut Dhani, para penyanyi harus meminta izin kepada pencipta saat ingin membawakan lagunya.
Menurut Dhani yang tergabung di Asosiasi Komposer Seluruh Indonesia (AKSI) ini, penyanyi harus memiliki moral etika.
Dhani mendukung konsep
direct license,
Yaitu sistem di mana penulis lagu memberikan persetujuan secara langsung serta menerima bayaran hak cipta tanpa adanya pihak tengah seperti Lembaga Manajemen Kekayaan Intelektual (LMK).
Dhani mengatakan bahwa tidak perlu ada regulasi pemerintah terkait pembayaran royalti sebagaimana yang termaktub dalam Undang-Undang Hak Cipta.
“Pertanyaannya sekarang adalah saat NOAH melakukan transaksi bersama EO, adakah peraturan dari pemerintah terkait hal ini?” tanyakan Dhani di Jakarta, Jumat (21/3/2025), “Tidak ada dong. Yang dimaksud adalah kesepakatan antara kedua belah pihak,” imbuhnya.
Dhoni menambahkan, ‘Tidak perlu regulasi dari pemerintah terkait hak ekonomi kreator yang dimanfaatkan oleh artis, tidak perlu,’.
Dhani menganggap bahwa besaran bayar royalti dapat disesuaikan melalui perjanjian bersama antara artis penyanyi dengan penulis lagunya.
Rancangan perubahan Undang-Undang Hak Cipta versus peninjauan ulang di Mahkamah Konstitusi
Ahmad Dhani mengusulkan adanya revisi terhadap Undang-Undang Hak Cipta. Dhani menyebut pihaknya telah menyiapkan usulan tersebut.
“Dalam hal bahan-bahannya, diskusinya masih berjalan,” kata Dhani.
“Jadi Melly punya usulan, Once punya usulan, AKSI punya usulan. Tinggal nanti saya nunggu, Once, Pasha Ungu, lalu Melly Goeslaw berbicara di depan media semuanya,” tambahnya.
Saat yang sama, menurut Ariel, proses perubahan undang-undang tersebut akan membutuhkan waktu cukup lama. Bersama dengan VISI, Ariel mengajukan uji materi terhadap Undang-Undang Hak Cipta di Mahkamah Konstitusi (MK).
Walaupun memiliki pandangan yang berbeda, harapan kami adalah tindakan dari pihak Ahmad Dhani ataupun Ariel NOAH akan menciptakan dampak positif bagi industri musik di Indonesia dan memberikan hasil terbaik untuk ekosistemnya.
